
One of my favorite books when I was a kid was a book called Seven At One Blow by Jay Williams. It’s about a tailor named Pipkin who kills seven flies with one swat. After this, he thinks he’s the ultimate badass, so he sews himself a championship belt, WWF style, and wears it into town. Long story short, Pipkin gets wrangled into killing some giants, because when people see his awesome belt, they believe he is the man for the job. I guess the moral of the story is ‘fake it ’til you make it.’ But the real badass here is actually Friso Hentra, the amazing illustrator behind the pictures.
Born in 1928 in Amsterdam, he became a very prolific comic book artist and illustrator. In 1968, Henstra became a teacher at the Art Academy in Arnhem. When he met Jay Williams they worked on ‘De Koningskruistocht’ together and then many projects followed, after which Hentra’s illustration work really took off and he worked on a number of international projects, even writing and illustrating a few books of his own.

Henstra has a unique style and I think it is his bold figures and clean cross-hatching that draw me in the most. I remembered his work as I began studying tattoo techniques and was particularly reminded of him by tattoo artists like Duncan X and Liam Sparkes. Henstra is very old now, but his illustration work back in this time was very classical but with a hint of psychedelia. Like this cover for ‘De Meester en Margarita’. The makeup, the smoke, a cat with a hat on! Fantastic!!! There’s something always slightly off-putting in Henstra’s work, which is also one of the qualities that draws me in.


I love Friso Henstra most because his vision is so unique, so consistent and well-realized that his work takes the viewer to another place. This is what an illustrator should be. And in a time when information is exchanged so freely, everyone is copying everyone else’s style and everything is made to order, it is so awesome to find artists with such well defined personal style. The children’s book format is also a huge departure from the typical mediums that radical young artists would be most accustomed to working with today. His books frequently sell on ebay for very cheap, so if you can find any of Henstra’s work anywhere, pick it up. It is well worth it.